• Books: Bury the Chains by Adam Hochschild, Endless War: Hidden Functions of the "war on terror" by David Keen, Capital Vol. 1, Tin Drum by Günter Grass, What is Islam? by Shahab Ahmed, Desiring Arabs by Joseph Massad, Spies, Soldiers and Statesmen by Hazem Kandil, La Condition Humaine by André Malraux, Of Mice and Men by John Steinbeck, Imagined Community by Benedict Anderson, Culture and Imperialism by Edward Said, The Wretched of the Earth by Frantz Fanon, The Richness of Life by Stephen Jay Gould, Children of the Alley by Naguib Mahfouz, The Mass Psychology of Fascism by Wilhelm Reich, Brave New World by Aldous Huxley, 1984 by George Orwell, Noli me Tangere by José Rizal, Age of Extremes by Eric Hobsbawm, ذهنية التحريم لصادق جلال العظم, Karl Marx by Francis Wheen, وليمة لأعشاب البحر لحيدر حيدر, Candide by Voltaire, النزعات المادية في الفلسفة العربية الإسلامية لحسين مروة, Listen Little Man by Wilhelm Reich ..
  • Films: Alexanderplatz by Rainer Fassbinder, Clockwork Orange, Apocalypse Now, The Battle of Algiers, films by P. P. Passolini, Persepolis, Midnight Express, 1984, Papillion, Gangs of New York, Sophie Scholl, Life of Brian, Ivan the Terrble, Battleship Potemkine ...

Thursday, March 24, 2016

Eros and Civilization for a Jobless Future: Herbert Marcuse and the Abolition of Work

"Surplus-repression and the performance principle compel people to internalize the constant drive to work, compete, and produce. They are also evident in the vehement hostility directed against individuals who refuse to work, appear to be lazy or unproductive, or seem generally free of social constraint. Surplus-repression and the performance principle are most apparent in conservative attacks on the welfare state, and they are well known to protesters who have been yelled at by passersby to “GET A JOB!” Social anxieties about pleasure and freedom proliferate, demanding submission to authoritarian forces of repression: “As the reality principle takes root, even in its most primitive and most brutally enforced form, the pleasure principle becomes something frightful and terrifying; the impulses for free gratification meet with anxiety, and this anxiety calls for protection against them” (Marcuse, 1966; p. 67)."

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Cambridge University Press accused of "selling its soul" over Chinese censorship