• Books: Bury the Chains by Adam Hochschild, Endless War: Hidden Functions of the "war on terror" by David Keen, Capital Vol. 1, Tin Drum by Günter Grass, What is Islam? by Shahab Ahmed, Desiring Arabs by Joseph Massad, Spies, Soldiers and Statesmen by Hazem Kandil, La Condition Humaine by André Malraux, Of Mice and Men by John Steinbeck, Imagined Community by Benedict Anderson, Culture and Imperialism by Edward Said, The Wretched of the Earth by Frantz Fanon, The Richness of Life by Stephen Jay Gould, Children of the Alley by Naguib Mahfouz, The Mass Psychology of Fascism by Wilhelm Reich, Brave New World by Aldous Huxley, 1984 by George Orwell, Noli me Tangere by José Rizal, Age of Extremes by Eric Hobsbawm, ذهنية التحريم لصادق جلال العظم, Karl Marx by Francis Wheen, وليمة لأعشاب البحر لحيدر حيدر, Candide by Voltaire, النزعات المادية في الفلسفة العربية الإسلامية لحسين مروة, Listen Little Man by Wilhelm Reich ..
  • Films: Alexanderplatz by Rainer Fassbinder, Clockwork Orange, Apocalypse Now, The Battle of Algiers, films by P. P. Passolini, Persepolis, Midnight Express, 1984, Papillion, Gangs of New York, Sophie Scholl, Life of Brian, Ivan the Terrble, Battleship Potemkine ...

Tuesday, October 25, 2016

"This is the importance of Ngugi. Born in 1938, the son of a tenant farmer in rural, British-occupied Kenya, Ngugi grew up working the pyrethrum farms that were once the property of his ancestors. He came of age during the Mau Mau rebellion, followed by the Churchill government’s violent ​response, which included​ the detention of 150,000 Gikuyu people in concentration camps where they were electrocuted, whipped and mutilated. He vividly describes this period in his novels “Weep Not, Child,” the first East African novel published in English, “A Grain of Wheat” and “Petals of Blood.”

"Such a rich body of work [Wizard of the Crow] is of potentially tremendous importance to our understanding of how the world came to be as it is. Ngugi captures the progression from the raw plunder and violence of colonialism to the corruption of national Third World elites by the predatory forces of global capitalism, which he cheekily represented in “Wizard of the Crow” by the fictional global bank.”

The Nobel Committee got it wrong

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Nicos Poulantzas: State, Power, Socialism