Nèdeem Elmahjoub's blog

Know your history The question is: why is not that history taught at school in a country that calls itself "free" and "democratic"? That applies to other countries, too, whether French, British, Belgian ... colonial history, Islamic slave trade history, or Japanese and Chinese history, and modern American imperialist history. "It's no surprise that it's still possible to avoid a complete history in favour of a prettier picture of the antebellum South throughout Charleston.

Britain and beyond "There is a conspiracy at work here, though it is not of the kind lampooned by critics: a small cabal of the rich secretly pulling the strings of our societies. The conspiracy operates at an institutional level, one that has evolved over time to create structures and refine and entrench values that keep power and wealth in the hands of the few. In that sense we are all part of the conspiracy. It is a conspiracy that embraces us every time we unquestioningly accept the “consensual” narratives laid out for us by our education systems, politicians and media. Our minds have been occupied with myths, fears and narratives that turned us into the turkeys that keep voting for Christmas." I disagree though with Cook in describing Corbyn's election as the Labour Party leader an "accident". Cook should know that even in the most conservative situations, cumulative processes and contradictions create cracks, fissures, and openings, sometimes big, som

A social investigation into the disproportionate levels of violence and murder suffered by the black community of Britain, this documentary identifies the failure of the British educational system, the breakdown of family units, and consumerism/capitalism as significant contributory factors into this phenomenon. With interviews from gunmen, underground arms dealers, drug users and victims of the violence, the film attempts to define the social environment which conditions and nurtures the desire to consume and destroy.

Filmed over six months, Bang Bang In Da Manor has been described as the most graphic and disturbing documentary ever made in Britain.