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Global Capitalism

"Viruses mutate all the time to be sure. But the circumstances in which a mutation becomes life-threatening depend on human actions. But the economic and demographic impacts of the spread of the virus depend upon preexisting cracks and vulnerabilities in the hegemonic economic model. Public authorities and health care systems were almost everywhere caught short-handed. Forty years of  neoliberalism  across North and South America and Europe had left the public totally exposed and ill-prepared to face a public health crisis of this sort, even though previous scares of SARS and Ebola provided abundant warnings as well as cogent lessons as to what would be needed to be done. Corporatist  Big Pharma  has little or no interest in non-remunerative research on infectious diseases (such as the whole class of coronaviruses that have been well-known since the 1960s).  Workforces in most parts of the world have long been socialized to behave as good neoliberal subjects (which means
Britain “The scorn which the angry young men hurled at the establishment was a class resentment but one devoid of any class consciousness,” feminist Lynne Segal writes perceptively in  Radical Happiness: Moments of Collective Joy . In the decades that followed, shaped by race riots, feminism, Thatcherism, the miners’ strike and the collapse of heavy industry and trade unionism, working-class solidarity appeared to fracture. The rise of what’s now called identity politics began. From the the Blitz to Brexit "While in 1931 10% of married women  were in work, that rose sharply to 21% in 1951 and 47% in 1972 It is interesting to draw a c omparison here . If in an industrial power like Britain, an Empire, with 200 years of capitalist development, women became half of the workforce only in early 1970s, how should one analyse the condition of women in Africa and the Middle East? Why Arab women, for example, do not in total terms make half of the workforce? Does that have somethi
"Capitalism is killing us" Translated to Arabic as "The capitalist terrorism ... How modern life is killing us without blood"  الإرهاب الرأسمالي ... هكذا تقتلنا الحياة الحديثة دون دماء
The ghosts of Christmas present Christmas is always a time of heightened emotion in Britain. The airwaves are filled with pop songs specially composed for the festive period and the same irritating tunes are endlessly looped in supermarkets and department stores. Short of total isolation there is no escape from the Christmas vortex. Families get together again and work colleagues get drunk at office parties as the country winds down until the New Year. It is a time for relaxation and excessive eating and drinking. However, as happiness is on the order of the day and enjoyment is in great demand such heightened expectations also produce their opposite, as the lonely, the excluded, and the poorest are confronted by the stark contrast between hype and reality.  At London’s busiest shopping intersection in Oxford Circus, Danny, a former Speakers’ Corner regular wields a megaphone. He stands self-confident and righteously appeals to the bustling mass of passers-by not to buy any Chris
A social investigation into the disproportionate levels of violence and murder suffered by the black community of Britain, this documentary identifies the failure of the British educational system, the breakdown of family units, and consumerism/capitalism as significant contributory factors into this phenomenon. With interviews from gunmen, underground arms dealers, drug users and victims of the violence, the film attempts to define the social environment which conditions and nurtures the desire to consume and destroy.

Filmed over six months, Bang Bang In Da Manor has been described as the most graphic and disturbing documentary ever made in Britain.
"The whole theme of Lebanese partying and consumerism that so many Western observers dutifully inflict on their respective audiences serves an important Orientalist function: Beirut may be “exotic” and different in its own way, but it’s also enough “like us” to render it a safe space for those wishing to travel without risking any fundamental alteration to their worldviews." How not to write about Beirut