Skip to main content

Posts

Showing posts with the label literature

An Unlasting Home

“The Hidden Light of Objects  was banned in 2017. Since then, thankfully, that particular law has been overturned, so my book is no longer banned. But it reveals that those in power do indeed believe that literature can make a difference , enough of one to necessitate its suppression.”

The Sympathiser

This is a very good novel. Extracts from The Sympathiser by Viet Thanh Nguyen The month in question was April, the cruelest month. It was the month in which a war that had run on for a very long time would lose its limbs, as is the way of wars. It was a month that meant everything to all the people in our small part of the world and nothing to most people in the rest of the world. In this gloomiest of Aprils, faced with this question of what should be done, the general who always found something to do could no longer do so. A man who had faith in the mission civilisatrice and the American Way was at last bitten by the bug of disbelief. In those days, when the CIA was the OSS, Ho Chi Minh looked to them for help in fighting the French. He even quoted America’s Founding Fathers in his declaration of our country’s independence.  In this jackfruit republic that served as a franchise of the United States, Americans expected me to be like those millions who spoke no English, pidgin English,

Whom to Believe on Ukraine?

  When people ranging from seasoned American idiot Thomas Friedman to Israeli best-selling author Yuval Noah Harari come together to argue Putin’s adventurism in Ukraine is unlike anything we have seen before and is a turning point in human history, it is hard not to bury your head in your pillow and wonder where have these people been over the last two decades of US military thuggery around the globe. Ceasing to follow the propaganda machinery of Russia and the US, the world would be much better off turning to Gogol, a Ukrainian master of Russian literature, and in the liminal space he crafts in his superior literary heritage, thinking where the real borders lie between civilisation and barbarities. Biden Putin or Gogol

An Interview with Edward Said

 At least three of his arguments are still relevant today: The portrayal of the Arabs and the Middle Easterners. We have seen that since 2001.  The Palestinian leadership capitulation in the Oslo Accords. We know today that the plight of the Palestinians is worse and the cancer of occupation has spread even further. The almost disappearance of the dissident intellectual. What we have are intellectuals of the status quo.
Generally a good piece, but saying that the US "has destroyed Iraq, Libya and Syria" is not accurate from Roy. The US has contributed in the destruction of Libya and Syria. In both countries the main destruction has been carried out by local and regional forces. That also ignores the role of Russia. Literature provides shelter By Arundhati Roy
I have just finished reading The Man Who Loved Dogs by Leonardo Padura, in its English translation. It is a great novel. I wish I could read it in Spanish.
"Such terms as “proletarian literature” and “proletarian culture” are dangerous, because they erroneously compress the Culture of the future into the narrow limits of the present day. They falsify perspectives, they violate proportions, they distort standards and they cultivate the arrogance of small circles which is most dangerous." — Leon Trotsky, Revolution and Literature , 1924
I think this is a very good interview. "And we get our delicate fiction and our sophisticated analysis of identity without mentioning caste, without mentioning Kashmir — the upholding of this nation as the land of Gandhi and yoga and nonviolence, when in fact there has not been a single day since August 15, 1947, when India was declared independent that the Indian Army has not been deployed “within its own borders, against its own people.” Whether it’s Kashmir, Manipur, Nagaland, Mizoram, Hyderabad, Punjab, Goa, Bastar, you know? It’s just a nation that is nailed together by military might, and we try to avoid thinking about it." Arundhati Roy on literature, India, Kashmir, violence, Ghandi, Dalits, resistance, Obama, Trump, and more
"Scientific education for the masses will do little good, and probably a lot of harm, if it simply boils down to more physics, more chemistry, more biology, etc to the detriment of literature and history. Its probable effect on the average human being would be to narrow the range of his thoughts and make him more than ever contemptuous of such knowledge as he did not possess."  Orwell,  What is Science , 1945
"Universities are businesses. Students are customers. The more customers, the better the business does. And of course, the best way to retain a customer is to keep her happy. I’d suggest that happiness for students might arise from challenge, from hard work fairly rewarded, or from the acquisition of new skills. But there is of course a quicker route: you keep students happy by not failing them. And then – surprise! – when they graduate they are not literate, or numerate, or knowledgeable enough to perform the work they have been studying for." 'The difficulty is the point'
"Scholars schooled in the Western canon, but who are ideologically and methodologically anti-imperialist, often struggle with Conrad’s beautiful writing yet horribly racist views. Conrad was honest about the colonial brutalities he witnessed, but his admiration for empire is hardly hidden. Several European writers suffer such ambivalence. George Orwell’s Burmese Days, or his essay “Shooting an Elephant,” are examples: the reality of imperialism is dirty, possibly immoral, but the work must be done and empire must be defended. E. M Forster’s Passage to India and Rudyard Kipling’s Kim can also be mined for such ambiguities and complexities. But isn’t it time to stop feeling ambivalent about empire? Why are we again and again attracted to this ambivalence when the proof of empire’s destructive and dehumanizing power is all around us?" Empire and ambivalence
"This is the importance of Ngugi. Born in 1938, the son of a tenant farmer in rural, British-occupied Kenya, Ngugi grew up working the pyrethrum farms that were once the property of his ancestors. He came of age during the Mau Mau rebellion, followed by the Churchill government’s violent ​response, which included​ the detention of 150,000 Gikuyu people in concentration camps where they were electrocuted, whipped and mutilated. He vividly describes this period in his novels “ Weep Not, Child ,” the first East African novel published in English, “ A Grain of Wheat ” and “ Petals of Blood .” "Such a rich body of work [Wizard of the Crow] is of potentially tremendous importance to our understanding of how the world came to be as it is. Ngugi captures the progression from the raw plunder and violence of colonialism to the corruption of national Third World elites by the predatory forces of global capitalism, which he cheekily represented in “Wizard of the Crow” by the fictional