“ Syria, virtually alone among major Arab states, blocks the entry of other Arab [comic] strips, creating its own monopoly of images. […] Nowhere in the Arab world does a government so effectively control the comic strips as in the Syrian Arab Republic.” “Committed to freedom and dignity, [our] aim is to document events during the revolution as well as the catastrophic consequences of rupture, displacement and dislocation in its aftermath. […] As the name indicates, the comic is the medium of choice to record everything from brutality in prisons, activities at demonstrations and the violence of military interventions.” The short comic strips below portray a complex image of the way the war translates into everyday life. As I see it, this is where one of Comic4 Syria’s major strengths lies: in their conscious decision to avoid a Manichean view by refusing to rely on easy dichotomies of good and evil. Archiving Syria’s hopes and despairs
“The West won the world not by the superiority of its ideas or values or religion (to which few members of other civilizations were converted) but rather by its superiority in applying organized violence. Westerners often forget this fact; non-Westerners never do.” —Samuel P. Huntington, The Clash of Civilisation and the Remaking of the World Order, 1996, p. 51