Nèdeem Elmahjoub's blog

Verbal gymnastics

 But why a British actor as Fanon? Related A review of Concerning Violence

 A very realistic approach “Whatever catharsis this constitutes, it is not one that will lead to victory over an Israeli society that has been using violence against Palestinians as its own traumatic catharsis for 75 years, in a world that has a very high tolerance for Palestinian civilian casualties, with most people in the West still supporting Israel whenever there is a high level of Israeli Jewish casualties. If Palestinians are to defeat Zionist colonialism, it will likely take a much different sort of analysis of its violence and power than Fanon offered three-quarters of a century ago, and it will probably require a paradigm shift in the core concepts of what a nation, freedom and independence are at a moment when the entire world, not just Palestine/Israel, is heading towards conflagration.” Israel’s settler colonialism is much more than ‘violence in its natural state’ and thus will require far more than ‘greater violence’ to defeat

“Many of Fanon’s recent academic critics, and even some of his sympathizers, continued to distort and misconstrue Wretched. They inflated the significance of one element in the book over all others: violence. And they underplayed Fanon’s socialist commitment and class analysis of capitalism, which are two essential components of his anti-imperialist arsenal. Nowhere is this truer than in recent postcolonial theory. Indeed, postcolonial theory has come to posit violence as the theoretical core of Wretched. Homi K. Bhabha, for example, has turned Fanon’s work into a site of “deep psychic uncertainty of the colonial relation” that “speaks most effectively from the uncertain interstices of historical change.”1 In his recent preface to Wretched, Bhabha reads colonial violence as a manifestation of the colonized’s subjective crisis of psychic identification “where rejected guilt begins to feel like shame.” Colonial oppression generates “psycho-affective” guilt at being colonized, and Bhabha’

“[Frantz]  Fanon urged us to invent and make new discoveries and not blindly imitate Europe. The struggle of decolonisation, Fanon tells us, must challenge the dominance of European culture and its claims of universalism without being trapped in a romanticized and fixed past. It is these two alienations that colonised people must overcome in their cultural struggle. Decolonising the mind also means deconstructing Western notions of ‘development’, ‘civilisation’, ‘progress’, ‘universalism’ and ‘modernity’. Such concepts represent what is called a  coloniality of power and knowledge , which means that ideas of ‘modernity’ and ‘progress’ were conceived in Europe and North America and then implanted in our continents (Africa, Asia and Latin America) in a context of coloniality (Mignolo, 2012). These Eurocentric ideas and culture have reinforced the colonial heritage of land confiscations, resource plunder, as well as domination of ‘other’ peoples in order to ‘civilise’ them.” Generals to t

  Fanon Can’t Save You Now