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Showing posts from July 23, 2023

Commodify Your Dissent

It is a good summary. “ With the husk of revolutionary language retained, capitalism has encircled the very idea of leftist transformation. Pepsi may have  figured out how to create a resurrectionist Pepsi Generation in the 1960s , but now brands conjure group identities from inchoate public feelings by tailoring messages towards those who want to feel radical; Buzzfeed structured its entire business model around this approach for more than a decade. Change without change.” You may only to create an account to read the article.

Classless Politics: Islamist Movements, the Left, and Authoritarian Legacies in Egypt

“Sallam interrogates the changing roles of leftists and Islamists in relation to political power in Egypt. Why, for example, did the Islamist movement dominate the political arena in Egypt since the late 1970s? Why, in the era of neoliberal economic assault on the working class, did the Left fail to organize a class politics around economic disenfranchisement? And finally, did autocrats provide Islamist groups with a space for political organization and maneuver denied to those that challenged the state’s economic liberalization schemes? ” The Egyptian Left, “without a mass political movement to lead or organize, became obsessed with culture rather than class war, tailing the state in its fight against “terrorists” and “religious fascists.” This alienated the Left from exactly the social groups that it historically needed to challenge economic and social inequality — a recipe for political irrelevance.” How ironic, and how similar to most of the Western Left! “On the eve of the revolut

The Diplomat: a Review

“ At its best, the dysfunctional marriage at the centre of the show becomes a metaphor for the US and its foreign policies in the region. At its worst, the show exemplifies how - after two decades of the terror of US militarism under successive administrations, both Republican and Democrat - the fate of millions of Afghans has become a background prop for a romantic comedy to tickle the political fancies of American and British audiences.” American ‘foreign policy’ as a dysfunctional marriage