Arab cinema In Papisha soon the "high energy wears off, as the story descends into repugnant cliches and orientalist pigeonholes. Meddour's world view is black and white: all men are bad, nearly all religious people are blood-thirsty monsters, and all the liberal-minded girls are valiant heroines. There is no subtlety in her characterisations nor hint of intelligence in how she tackles Islamic radicalism, which is personified by a bunch of liberal men-hating women and women obsessed with having every girl in the country veiled. On the evidence of Papicha , Meddou's world view comes over as little different from the average white Western film-maker in its antagonistic stance against non-white masculinity, a toxic feminist stance which frowns down on anyone who does not share its ideals. By a long margin, Papicha was the low point of the Arab selection at Cannes this year." Review of seven new Arab films " Cannes, after all, is an awfully c...