Nèdeem Elmahjoub's blog

Total war and cold war have brainwashed us into accepting barbarity. Even worse: they have made barbarity seem unimportant, compared to more important matters like making money. —Eric Hobsbawm

The cross-categorization of “Islam and the West” … survived [Edward] Saïd’s intervention, first and foremost because the material basis of its continued validity persisted… Saïd, due to his own invested interest in Enlightenment humanism, fell short of fully exposing the barbarity that European capitalist modernity has perpetrated upon the world.   The West” coinvented an “Islam” best suited to serve its colonial interests by sustaining the illusion of its own civilizational superiority. This dual false consciousness was not merely a product of a sense of racial superiority; it was also a requirement of the economics of robbing continents of their wealth and wherewithal. Any and all acts of decolonization are entirely contingent on dismantling all such civilizational divides as “Islam and the West,” “the First and the Third World,” “the West and the Rest,” in all of which the ruling ideological powers of the world have robbed continents of their material and labor resources an...

“So we can indeed call those folk barbarians by the rules of reason but not in comparison with ourselves, who surpass them in every kind of barbarism.” ( “Nous les pouvons donc bien appeler barbares eu égard aux règles de la raison, mais non pas eu égard à nous, qui les sur-passons en toute sorte de barbarité.”) —Michel de Montaigne (1533-1592), Of Cannibals And that was before ‘the Enlightenment’, the guillotine, colonialism, the genocide of the red Indians, the Atlantic slave trade and the plantations, the American civil war, the Russian gulag, the British gulag in Kenya, the Holocaust, the two world wars, 

Regaining imperial power and glory has already proven to be a treacherous escapist fantasy – devastating the Middle East and parts of Asia and Africa while bringing terrorism back to the streets of Europe and America – not to mention ushering Britain towards Brexit. We can no longer discount the “terrible probability” James Baldwin once described: that the winners of history, “struggling to hold on to what they have stolen from their captives, and unable to look into their mirror, will precipitate a chaos throughout the world which, if it does not bring life on this planet to an end, will bring about a racial war such as the world has never seen”.  How colonial violence came home

"[T]ere is something that still resonates about the work of the Frankfurt School. The insight to which it called its readers to awaken was that human consciousness in the age of mass society was becoming wholly enclosed within the walls of an ideological fortress, caught in the endless circulations of capitalist exchange and those repetitive entertainments and distractions that were designed to obscure the truth. Nothing about the theory of the culture industry lacks traction in a world where the commodity form reigns supreme. Blockbuster CGI movies; the relentless extrusion of Greatest Hits CDs by the megastars of the recording industry; the all-encompassing mania for video gaming, in which mature adults have been co-opted into the shamelessly infantile principle of mindless play; the transmutation of collectivity into social media’s mere connectivity: these are the lineaments of a culture that is not the spontaneous production of free human beings, but rather something done to...

"The Syrians who are fighting their state are indefensible. Too bearded to be trusted, fratricidal on top of that, they are defying the laws of geopolitics in the Middle East, and could very well provoke World War III. Syrians, then, must not be defended. But what can be done faced with the spectacle of indignity streamed almost live from Syria since 2011? This spectacle is unprecedented. Never before in history has a crime against humanity been filmed day by day, turned int o a spectacle with the cooperation of both victims and executioners, broadcast by the big television networks and streamed on social media, intercut with ad breaks, consumed by the general public, and commodified by the art market. At the time of Auschwitz, only God was supposed to see what happened in the showers. It was only after the liberation of the camps that accredited filmmakers could capture evidence of the crimes, which were recognized as such by the legal authorities. Those images, however, were co...