"Here is the biggest problem with elevating sexism to the defining explanation of Mrs. Clinton’s loss: It lets her machine and her failed policies off the hook. It erases the role played by the appetite for endless war and the comfort with market-friendly incremental change, no matter the urgency of the crisis (from climate change to police violence to raging inequality). It erases the disgust over Mrs. Clinton’s coziness with Wall Street and with the wreckage left behind by trade deals that benefited corporations at the expense of workers." — Naomi Klein
I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries— the realists of a larger reality . Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is ...
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