“Set during World War II, "The Terror: Infamy" centers on a series of bizarre deaths that haunt a Japanese American community, and a young man's journey to understand and combat the malevolent entity that is responsible. Chester Nakayama and his friends and family from Terminal Island, Calif., face persecution from the American government, and they battle the evil spirit that threatens their future. A look at the often overlooked time of Japanese American internment camps and what it truly means to be an American. From 1942 to 1945, more than 145,000 Japanese Americans and Japanese Canadians were forced from their homes and into internment camps by their respective governments, simply because of where they or their ancestors were born. Their story is one of perseverance in the face of injustice.”
I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries— the realists of a larger reality . Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is ...
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