“Bonapartism has reemerged stronger than before. In Macron it assumes a classic form. The right of the Rassemblement National and the left of La France insoumise (the ‘extremes’, in the parlance of the quality press) balance one another, while the radical centre – the bourgeois bloc anatomized by Serge Halimi – is free to pursue its own interests, while also claiming to protect the dignity of the nation, wider humanity and now the ecosphere itself. A remarkable political formula, as [Gaetano] Mosca would have put it.”
I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries— the realists of a larger reality . Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is ...
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