Published in 1967, Guy Debord’s analysis of the society of the spectacle posited that lived reality had “receded into a representation.” In its “concrete manufacture of alienation,” Debord contended, the spectacle obscured social contradictions. But the reproduction of society without consent now involves the formation of a “hyperspectacle”: the reality of contradiction itself becomes an image, a domineering abstract presence; the commodity’s colonization of life is such that it now extends to social contradiction itself. The more we observe Trump’s abstract spectacle of contradiction, the more we struggle to understand the concrete contradiction that has produced it. Amid intensifying alienation, the Trump administration pursues a new geostrategy.
— Juliano Fiori, February 19, 2026
Comments