Abraham, Szor and their colleagues can do more than hail the 24 Israeli military personnel featured in the film as courageous. They should urge them to come forward publicly from anonymity, which currently gives opponents an easy basis for dismissing the allegations without addressing their substance. Otherwise, NAZA risks becoming a discredited, normalising propaganda tool at the hands of the very forces it set out to hold accountable, and Abraham and Szor may also be swept into the gruesome machinations of Israel's genocide of Palestinian people as mere collateral damage.
I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries— the realists of a larger reality . Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is ...
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