"Attempting to ‘save’ the national economy to make things better for its inhabitants, for example, by calling for import controls or other forms of government regulation, is a reactionary policy. Firstly, it endorses the existing power of the national capitalist state to determine what will happen. Secondly, it raises national salvation above solidarity with people in other countries who are facing similar problems. This is particularly an issue for progressive people in the imperialist countries that have a dominant position in the world economy. If radicals make any concessions to those who are seeking to defend their privileges in a bankrupt system, rather than to show how the system is indeed bankrupt and must be overthrown, then they have only a short step from this to supporting imperialist aggression. The records of many wars stand in evidence." — Tony Norfield, author of The City: London and the Power of Global Finance. (Verso 2016)
I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries— the realists of a larger reality . Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is ...
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