"Other critics, especially on the left, complain that Morton’s conception of the Anthropocene glosses over issues of race, class, gender and colonialism by blaming the entire species for the damage inflicted by a privileged minority. The focus on the human enshrined in the term Anthropocene is a particular target for critics. By referring to humans as a unified whole, they argue that Morton effaces distinctions between the affluent west and the other members of humanity, many of whom were living in a state of ecological catastrophe long before the notion of the Anthropocene became trendy on campuses in Europe and North America. Others say that Morton’s notion of politics is too woolly, or that the last thing we need when facing ecological challenges are abstract musings about the nature of objects."
I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries— the realists of a larger reality . Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is ...
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