“The report minimises and at times denies the existence of institutional racism in Britain, despite the fact that, as the government now acknowledges, several witnesses gave detailed evidence of the forms of institutional and structural racism that they feel do operate within the UK. It was produced by a commission led by figures who had rejected the concept of institutional racism years before they began work. Arguably it has achieved exactly what the government wanted, adding credence to the false binary that underpins their culture war agenda: that the nation faces a choice between addressing racial inequalities or class disadvantage.”
I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries— the realists of a larger reality . Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is ...
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