Can art, and the differences in opinion on it between the Arab and the Western worlds, really explain the violence between the two sides? Are not these attitudes, at odds with one another regarding the depiction of the Prophet, merely a pretext for conflicts with other underlying motivations? Those who endeavor to incite this violence, do they use religion, the Prophet, and images, among other things, to cement their dominance over their local environments? Does successful globalization, wherever the case may be, not exacerbate the pressure on cultural, artistic, and ideological boundaries to adapt and expand? And, in turn, does this pressure not incite “adversarial” and “miserable” and “desperate” situations?
“The West won the world not by the superiority of its ideas or values or religion (to which few members of other civilizations were converted) but rather by its superiority in applying organized violence. Westerners often forget this fact; non-Westerners never do.” —Samuel P. Huntington, The Clash of Civilisation and the Remaking of the World Order, 1996, p. 51
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