“There is no alternative, I concluded. The delusion of democracy was a colonial concoction (a world capitalist ruse) that is now exposed for what it is and over and done with - we've hit a wall with pictures of Trump, Modi, Assad, Sisi, Ayatollah Khamenei, Putin, and the rest of them plastered all over it. This is the case unless, like Hannah Arendt, we make a crucial distinction between freedom from tyranny and liberty to choose a different political system. At this point in history, I have therefore concluded, we are far more invested in freedom from tyranny than harbouring any conviction or trust in liberty to choose a legitimate alternative state. I am now convinced we are far better off understanding what has tormented us and despising it than hoping to achieve what we wish and has historically escaped us.”
I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries— the realists of a larger reality . Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is ...
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