• Books: Bury the Chains by Adam Hochschild, Endless War: Hidden Functions of the "war on terror" by David Keen, Capital Vol. 1, Tin Drum by Günter Grass, What is Islam? by Shahab Ahmed, Desiring Arabs by Joseph Massad, Spies, Soldiers and Statesmen by Hazem Kandil, La Condition Humaine by André Malraux, Of Mice and Men by John Steinbeck, Imagined Community by Benedict Anderson, Culture and Imperialism by Edward Said, The Wretched of the Earth by Frantz Fanon, The Richness of Life by Stephen Jay Gould, Children of the Alley by Naguib Mahfouz, The Mass Psychology of Fascism by Wilhelm Reich, Brave New World by Aldous Huxley, 1984 by George Orwell, Noli me Tangere by José Rizal, Age of Extremes by Eric Hobsbawm, ذهنية التحريم لصادق جلال العظم, Karl Marx by Francis Wheen, وليمة لأعشاب البحر لحيدر حيدر, Candide by Voltaire, النزعات المادية في الفلسفة العربية الإسلامية لحسين مروة, Listen Little Man by Wilhelm Reich ..
  • Films: Alexanderplatz by Rainer Fassbinder, Clockwork Orange, Apocalypse Now, The Battle of Algiers, films by P. P. Passolini, Persepolis, Midnight Express, 1984, Papillion, Gangs of New York, Sophie Scholl, Life of Brian, Ivan the Terrble, Battleship Potemkine ...

Tuesday, November 22, 2016

"Trump and Berlusconi are both men who came to power from business rather than politics, and both have presented their inexperience with the political establishment as a mark of purity. They have both insisted on their entrepreneurial success as the most evident proof of their qualification to rule the country. Like Plato’s tyrant, they both exhibit an ethos based on a dream of continuous and unlimited jouissance and an aggressive and hubristic eros (though Berlusconi prefers to think of himself as an irresistible seducer rather than a rapist).
They both indulge in gross misogynistic and racist jokes and have reshaped public language by legitimizing insult and political incorrectness as acceptable forms of political communication and by embodying an exhilarating return of the repressed. They both revel in kitschy aesthetics and don the orange hue of artificial tanning. And they both allied with the far right in order to advance a political project of authoritarian neoliberalism and unbridled capitalism.

The analogies stop here."

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The Contradictions of Joseph Conrad