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"This inclusion of Islam in the Nietzschean catalogue of more 'honest', pre-, non- or even anti-European societies offers two further points of interest: first, that Nietzsche's remarks do not greatly differ from the kinds of observations a whole century of European Orientalists were making about Arabs and Muslims in general — that Islam is incapable of democracy, that is fanatical and warlike, that it is Frauenfeindlich and socially unjust, etc. Nietzsche's only difference, ironically, is that he affirms these prejudices instead of lamenting them. Nietzsche, who had never visited a Muslim country and whose closest brush with the 'Orient' was the 'southern' sensuousness of Naples, had to rely on an extremely unreliable canon of Orientalists for his information about Islam and Arab culture. The fact that Nietzsche's opposition to 'progress' led him to react positively to the kind of racial and generic defamations attributed to the Middl

17 August 2008

Sunday between noon and 1pm on 104.4 FM (London) Or http://www.resonancefm.com/ (worldwide) A repeat: Lina Khatib to speak about Politics in the Cinemas of Hollywood and the Arab World . Today the world's media have a pressing need to understand and interpret the modern Middle East. In her book (released by I B Tauris on 27 September 2006) Khatib examines how contemporary American cinema and the cinemas of the Arab world contribute to this global preoccupation in their representations of Middle Eastern politics. The writer, a lecturer in world cinema, also uncovers the challenges presented by Arab cinemas to Hollywood's ways of representing Middle East politics. A repeat: Obituary : More celebrated abroad than in his own country, Yousssef Chahine tried every film genre, from historical epic to musical comedy. The Egyptian director, who died last Sunday, 27 July in Cairo, received the lifetime achievement award on the fiftieth anniversary of the Cannes Film Festival in 1997.